Bad Hoss
Reimagined with JFET transistors, the Bad Hoss is a flavor of fuzzy pi that comes without all the noise and two heaping scoops of versatility.
A high/low gain control switch makes it perfect for lower-gain work without giving up that creamy, violin-like sustain. The EQ control switches between two distinct tone stacks — a classic mid-scoop and a modern take that lets those mid frequencies come through.
So what’s a harmonic sustainer? Well, it’s not exactly a fuzz and not exactly a distortion. The Bad Hoss is a complete evolutionary leap in design from its ancestor, making it perfect for garage rock, fuzzy blues, stoner rock or violin-like sustain on lead lines.
Even at its highest gain and sustain settings, the Bad Hoss lets you hear all your notes and doesn’t mush out or gargle.
Note: All pedals are made to order and there might be a short lead time between your order and when your pedal is shipped.
Reimagined with JFET transistors, the Bad Hoss is a flavor of fuzzy pi that comes without all the noise and two heaping scoops of versatility.
A high/low gain control switch makes it perfect for lower-gain work without giving up that creamy, violin-like sustain. The EQ control switches between two distinct tone stacks — a classic mid-scoop and a modern take that lets those mid frequencies come through.
So what’s a harmonic sustainer? Well, it’s not exactly a fuzz and not exactly a distortion. The Bad Hoss is a complete evolutionary leap in design from its ancestor, making it perfect for garage rock, fuzzy blues, stoner rock or violin-like sustain on lead lines.
Even at its highest gain and sustain settings, the Bad Hoss lets you hear all your notes and doesn’t mush out or gargle.
Note: All pedals are made to order and there might be a short lead time between your order and when your pedal is shipped.
Reimagined with JFET transistors, the Bad Hoss is a flavor of fuzzy pi that comes without all the noise and two heaping scoops of versatility.
A high/low gain control switch makes it perfect for lower-gain work without giving up that creamy, violin-like sustain. The EQ control switches between two distinct tone stacks — a classic mid-scoop and a modern take that lets those mid frequencies come through.
So what’s a harmonic sustainer? Well, it’s not exactly a fuzz and not exactly a distortion. The Bad Hoss is a complete evolutionary leap in design from its ancestor, making it perfect for garage rock, fuzzy blues, stoner rock or violin-like sustain on lead lines.
Even at its highest gain and sustain settings, the Bad Hoss lets you hear all your notes and doesn’t mush out or gargle.
Note: All pedals are made to order and there might be a short lead time between your order and when your pedal is shipped.